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Appel à communications: 21stBiennial International Conference on Nineteenth-Century Music (affiché en anglais seulement)
21stBiennial International Conference on Nineteenth-Century Music
University of British Columbia
School of Music
18-20 June 2020
Call for Papers
The 21stBiennial International Conference on Nineteenth-Century Music will take place at the University of British Columbia, Vancouver (Canada), from June 18 to June 20, 2020.
Keynote: Prof. Emanuele Senici (University of Rome “La Sapienza”)
The Program Committee invites proposals pertaining to any aspect of music in the long nineteenth century, particularly those engaging with the following themes:
Offre d'emploi: Eckhardt-Gramatté Music Library (affiché en anglais seulement)
The University of Manitoba is currently hiring a replacement to cover a librarian leave at the Eckhardt-Gramatté Music Library.
Please circulate information from this link as appropriate:
https://viprecprod.ad.umanitoba.ca/DEFAULT.ASPX?REQ_ID=06967
CVs will be accepted until Monday, June 24. Contact information can be found in the posting.
Intersections Vol. 37, n°1
Illuminations: Essays in Honour of Brian Cherney
Sous la direction de Robin Elliott
Introduction 
Auteur : Robin Elliott
Article sur Erudit | Accès pour membres
Personal Views
How I Might Have Become a Composer
Auteur : Brian Cherney
Appel à communications - Malcolm Forsyth: Perspectives and Legacy (affiché en anglais seulement)
Call for Papers—Malcolm Forsyth: Perspectives and Legacy
Festival and Symposium, The University of Calgary, Division of Music,
17-19 October 2019.
Music at the School of the Creative and Performing Arts, the Canadian Music Centre (Prairie Region), the Calgary Philharmonic Orchestra, and the University of Calgary Library and Cultural Resources are hosting a festival/symposium at The University of Calgary in celebration of the music and legacy of South- African/Canadian composer Malcolm Forsyth from October 17-19, 2019. Entitled "Malcolm Forsyth: Perspectives and Legacy," this will be the first major consideration of Forsyth since his death in 2011.
Submissions are invited on any aspect of the music and legacy of Malcolm Forsyth, ranging from studies of his work to considerations of his accomplishments as a teacher, mentor, and influence on the Canadian music scene. The symposium seeks to explore the technical and aesthetic facets of Forsyth's work, and also to examine the roles of gender and ethnicity as they may constitute an element in his music, life, and legacy.
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