Fonds de bourse Maryvonne-Kendergi pour la musique au Québec

                         

Fonds de bourses Maryvonne-Kendergi
pour la musique au Québec

Bourse de recrutement
Niveau doctorat

     Grâce au fonds Maryvonne-Kendergi, la Faculté de musique offre une bourse de doctorat de 10 000 $ pour l’année 2018 (admissions de l’hiver 2018 et de l’automne 2018) à un(e) étudiant(e) canadien(ne) ou étranger(ère) inscrit(e) à temps plein à la Faculté de musique de l’Université de Montréal.

Le projet de recherche devra porter sur la musique au Québec.

     Le projet pourra prendre pour objet les répertoires musicaux (tous genres confondus), les moyens de diffusion de la musique (presse, radio, film), les institutions musicales (civiles et militaires) et les enjeux culturels, sociologiques et politiques qui font intervenir la musique.

Conditions particulières

     L’étudiant(e) devra être inscrit(e) au doctorat en musique (option musicologie ou ethnomusicologie) selon les conditions de la Faculté de musique de l’Université de Montréal.
     Un jury se réunira pour l’attribution de la bourse à la fin de la période de recrutement. Cette bourse pourra être cumulée le cas échéant avec des contrats d’auxiliaire de recherche et d’autres bourses d’excellence, à l’exception des bourses de maîtrise du FRQ-SC et du CRSH.

Les dossiers complets (même dossier que pour la demande d’admission + lettre de présentation spécifiquement relative à la demande de bourse) doivent être envoyés au plus tard le 15 septembre 2017 au format PDF à l’adresse suivante : This email address is being protected from spambots. You need JavaScript enabled to view it..

Study Day : "Bali-Québec"

On May 23, the Faculty of the Music of the Université de Montréal in collaboration with the OICRM welcomes you to the Study Day on Intercultural Music ‘Quebec-Bali and Beyond’ organized by Jonathan Goldman. This event was made possible through the financial support of the Social Sciences Research Council of Canada (SSHRC). The description of the event and the timetable of talks can be found at the event website:  http://oicrm.org/journee-detude-interculturelles-bali-quebec-dela/

 

Jonathan Goldman
Professeur agrégé de musicologie
Faculté de musique
Université de Montréal

Interdisciplinary Perspectives on Music in Canada Research Group Seminar

Place, Politics, and Cultural Exchange:
Indigenous-Settler Collaboration in Canadian Art Music

May 28, 2017
Canadian Music Centre, Toronto

We are pleased to announce an upcoming seminar of the Interdisciplinary Perspectives on Music in Canada Research Group (IPMC), held in conjunction with MusCan, Congress, and Canada’s 150th anniversary. As a combined venture between the Faculty of Music, University of Toronto, the Institute for Canadian Music, and the Canadian Music Centre, this seminar grows out of a three-year SSHRC Partnership Development Grant (Mary Ingraham, Dylan Robinson, Robin Elliott; see http://creativecollaboration.ca) which played a part in the production or study of three works with three different collaborative teams across Canada. Following on those projects, this year’s theme, Place, Politics, and Cultural Exchange: Indigenous-Settler Collaboration in Canadian Art Music, explores the social efficacy of cross-cultural creative partnerships between Indigenous and non-Indigenous sonic practitioners in the wake of the Truth and Reconciliation Commission’s “Calls to Action.” Scholars like Glen Coulthard and Dylan Robinson have been critical of discourses of “reconciliation” and “recognition,” and David Garneau recently warned that settlers eager to be Indigenous allies “must be cautious not to replace a Truth and Reconciliation model or models of quality framed by standards of colonialism and whiteness” (Garneau 2016). Developing these critiques and concerns from a musicological perspective, we propose that it is important to consider collaboration not purely as a model of social harmony, but as an opportunity for productive critique of Indigenous-settler methods and epistemologies—that is, to consider musicological and art musical methods of “conciliation” rather than reconciliation (Garneau).

An important reminder:  Early registration ends April 30th!

 

Registration for the conference Canada 150: Music and Belonging is now available online.


Visit [http://uoftmusicicm.ca/about/canada150music/] for information about registration, accommodation, and local arrangements.


Visit [http://www.karelo.com/register.php?BID=663&BT=10&Ev=17101] to register for the conference directly.


Please note that a reduced early registration rate is available until April 30th.

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